Friendship Baby Blankets & Fixing Weaving Errors

I finished  this project a couple of weeks ago but haven’t had time to share it. My friend, Irene of Cotton Clouds, is involved with The Natural Dye Project sponsored by Mayan Hands. She asked me to create a baby blanket out of the  Friendship Towel Kit that she is selling to support the Guatemalan women in this project.product_image_3074-2The towel kit makes 4 towels using naturally dyed 8/2 cotton.yarn_image_180I added Monte Cristo cotton boucle to the kit and came up with…DSC_2479   …two baby blankets, each using Monte Cristo and 8/2 cotton in the weft but using different patterns. It is easy weaving but things don’t always go smoothly. IMG_2029I happened to look at the first blanket winding its way onto the cloth beam just before starting the second blanket and saw 7 warp threads that should have been woven into the blanket.IMG_2030Because of the texture of the boucle yarn I hadn’t noticed the error while weaving. Now I can see it but it wasn’t obvious when I wasn’t looking for it. IMG_2027Here is the problem. When threading the heddles I inadvertently used 7 heddles from the Shaft #5 when I should have used Shaft #4. This is a 4-shaft structure so #5 didn’t lift at all. It is an easy fix for the second blanket. Just tie Shaft # 5 up to each treadle in which Shaft #4 is engaged. IMG_2033That works.IMG_2034However, the only way to fix Blanket #1 was to needle weave all 7 threads in after it was off the loom. That should be easy (over-under-over;over-under-under), but it took hours because of the nature of the boucle yarn. Thank goodness it was only 7 threads.

After weaving the blankets aren’t done yet. Wet finishing is an important step of weaving. It allows the yarns to “bloom” and fills in the spaces that are there when the yarns are under tension. It turns a bunch of interlocked threads into cloth.DSC_2558 It also results in shrinkage. See the difference in width in the strip that has not been washed and the finished blanket.

DSC_2564   Here is a detail.

The final step is a photo session. DSC_2533No baby was available so I used one of my kids’ teddy bears.DSC_2545My old teddy bear (I won’t tell you how old) featured in some of the shots too.

You can purchase this kit from Cotton Clouds at this link.

Learning a new Rigid Heddle Technique

My friend and business mentor, Irene of Cotton Clouds asked me to weave a scarf as a sample for the Coloring Contest for Weavers that is on her website. Usually I can whip up a scarf in a few hours, but with an “irene project”, as I fondly refer to our endeavors, there is always something that slows me down. This scarf was to be on the rigid heddle loom AND using a pick-up technique. I have been planning to teach myself those techniques, but have never quite got around to it. Well, now was the time.

Irene sent me several colors of Cotton Classic and Cotton Classic Lite yarn and I started to play around with color order.  I chose a warp float pattern out of The Weaver’s Idea Book by Jane Patrick. The pattern unit is six threads so I wanted to make the color changes in 6 thread increments. I arranged the colors randomly with the exception of using the same color at each edge. Here is the sample I wove. I used the heavier Cotton Classic first (bottom of sample) in purple and navy, then the lighter Cotton Classic Lite in navy and then lavender, and then black 5/2 cotton.

This is a detail of the middle part of the sampler. Notice the huge difference there is depending on the value of the yarn you use.  These two sections are the same pattern but the lighter yarn shows the pattern as circles. The darker weft accents the warp floats.

This is the back of the sample. Warp floats on one side mean weft floats on the other.

I like both effects but decided to use the darker yarn for the final scarf. I made other changes as well. When you look at the top photo what does your eye see? I first notice the light value stripes. I decided that was too distracting.  I also decided to vary the size of the stripes.  However I didn’t have enough yarn to wind another warp. So I removed the lightest value yarns from the warp and rearranged the other yarns in the rigid heddle, adding a few more warp ends as needed. Then I wove with purple. The result is below. Unfortunately the color of the photo below shows up differently than the photos above even though these are the same yarns. (But the trials and tribulations of photographing weaving are another story.)

Another bonus of this project–I love this pick-up technique. it’s not hard at all once you get used to the pattern. I can see more of these in my future.