Close to Home…Post #5 – Mom’s Yarn

Posted on November 14, 2014 by Robin

I’ve been writing posts about my show at The Artery in Davis. Here is a link to the first post that explains the concept.I used this photo in the show but had a hard time deciding between it and the one below both taken probably in the 1970’s at our place in Cotati, CA where I grew up. Here is the story:

Everyone I know who is a weaver has a yarn stash and I am no exception. My stash includes what I like to think of as “archival” yarns that were spun by my mom years ago. Over the years the odd ball of my own handspun yarn has ended up in the stash that I have accumulated.

Most of the yarn mom spun was from sheep that were the descendants of my brother’s 4-H project (I raised dairy cows and didn’t do anything with sheep back then) and many years later from my flock of sheep. Mom took up the hobby of spinning in the 1970’s as an adjunct to her expert knitting passion. These yarns reflect the lumpy, bumpy style of that era as that was the type of yarn she liked to use in her knitting and later in weaving.

The blankets in this show that are labeled with yarn from “My Mom” are woven by me using these yarns for warp and one of my current yarns for the weft. Pillows and organizers labeled “My Mom” use her handwoven fabric scraps left over from constructing jackets, vests, or blankets.

Two throws, above and below. All of these blankets have Mom’s yarn as the warp. The challenge with weaving something like this is that all the yarns are of different grist, amount of twist, and elasticity. That can cause waviness (or seersucker effect) in the woven piece. By using small amounts in each place instead of big bands I can minimize the effect, but it doesn’t all go away. There wasn’t enough of any one for weft so I used other yarn for the weft yarns–either my Jacob yarn or other yarn featured in the show.

Mom's yarn The next two blankets, above and below. This is the batch of yarns from which I worked. Not that Mom didn’t spin in color, but for most of the pieces of the show I was trying to stick true to the “local” aspect of source of yarn and dye. This is a pillow in the show with Mom’s yarn in the warp. This fabric was leftover from a blanket I wove for Katie when she lived in VT. See this post for a photo of that blanket.Mom also did some weaving. This is fabric that Mom wove of her handspun yarn and I think she used some for a vest for my brother or maybe my uncle.

There will be more blankets to come using more of this yarn.

Close to Home…Post #4

Posted on November 14, 2014 by Robin

Another flock represented in my current show at The Artery is The Timm Ranch north of Vacaville.Here is their story:

The Timm Ranch is north of Vacaville on the east side of the Vaca Mountains. Susan Timm’s grandfather bought the ranch in the early 1900’s and, although much of the ranch is leased to a cattle rancher, Susan runs about 85 ewes there. Lambs are born in the fall and sold to individual customers and to Chuck’s Custom Slaughter of Dixon.

Susan’s father started with Targhee sheep and then added Polypay and Rambouillet rams to the flock. Susan’s sheep are descendants of this blend of breeds and produce a fine, soft wool.

I took home about 65 pounds from last spring’s shearing (average fiber diameter of 23.5 microns). After pre-washing (soaking and draining in cold water) to reduce weight I shipped 39 pounds to Zeilinger’s Wool Mill in Michigan, one of the few mills in the U.S. that can accommodate fine wool in small quantities. They washed, carded and spun the wool into 30 pounds of 2-ply fingering yarn.

The yarn comes back from Zeilinger’s unfinished (no final washing) on cones. Washing the yarn or the finished weaving results in a seemingly magical transformation from what looks like string into soft, lofty yarn. The ewes after shearing. Fleeces that I took home. Samples for micron testing.Yarn on cone and skeined. I wove a warp with six throws. The brown yarns are dyed with black walnut and the yellow is osage orange. Both of those plants grow across the road. I also wove shawls. These are a 16-shaft huck.

Close to Home…Post #3…Barinaga Ranch Yarn

Posted on November 12, 2014 by Robin

The first post in this series explains the concept of this show. Blankets woven of East Friesian wool from Barinaga Ranch.

Story of this yarn: Valentin Barinagarrementeria travelled from the Basque Village of Markina to the U.S. in the early 1900’s to make his life as a sheep-herder and eventually managed 5000 ewes and lambs on a range sheep operation in southern Idaho. His granddaughter, Marcia Barinaga, after a career in science journalism, and with support from her biologist husband, began Barinaga Ranch, a sheep dairy, on the shore of Tomales Bay in 2009. Her Basque cousins generously shared their knowledge of sheep dairying and cheese making and her American cousin helps with lambing in the spring. The 800-acre ranch is grazed by beef cattle as well as by the dairy sheep and is part of the Marin Agricultural Land Trust.

East Friesian dairy sheep originated in northern Europe and produce on the average a half gallon of milk per day during the six to eight month lactation cycle. They are milked two times per day and Marcia uses their raw milk to make Basque-style cheese that is sold all over California. Milk and lamb production (and of course cheesemaking) are the primary enterprises of Barinaga Ranch, but with the help of local Fibershed members, Marcia is developing her wool market.These are East Friesian ewes and their lambs. They graze the hills in Marin County but spend some time in the barn at lambing time and they were in for our Farm Club field trip. The wool is not as soft as some of the other wools I used in the show but it is a medium grade and just fine for blankets. They have great loft and dynamic color.Can you believe that this blanket… Barinaga Sheep Ranch …and this blanket are the same weave structure? The top one uses dark weft and the bottom one uses white. I have a little of this yarn left and look forward to more blankets.

Close to Home…Yarn with a Story

Posted on November 11, 2014 by Robin

For many months I have been preparing for a show at The Artery in Davis, CA. The Artery is an a cooperative gallery with about 70 member artists and I have sold my work there for over ten years. The show runs from November 7 to December 1. I hope that local people will be able to visit.Jacob blankets above and on the rocking chair (my mom’s) on the right. Gray blanket on the left chair uses “Mom’s yarn” (see a future blog post on that). The others are wool from other Solano County farms.

The best way to explain this show is to reprint my “Artist’s Statement” here. My blog is usually mostly photos because that’s the kind of blog that I like to read but I hope that you will take the time to read the following because it explains the concept behind the work in the show. I’ll throw in a few photos, but will display others in later blog posts.

Blankets woven from yarn grown by Imperial Stock Ranch in Oregon.The story about this yarn will be in a later post.

Artist’s Statement: In 2010 I became involved in the Fibershed movement by donating yarn produced from my flock of Jacob sheep to Rebecca Burgess whose goal was to wear, for a year, only clothes sourced entirely from an area within 150 miles of where she lived. That means that the fiber (and any dye) was grown, the yarn was spun, the cloth created, and the garment sewn locally! Imagine doing that—it’s not easy!

Why bother? Have you looked at your clothing labels and thought about the impacts of the way in which we clothe ourselves? The true cost of inexpensive clothing is high when you consider the social and environmental impacts on a global scale. (China produces 52% of the world’s textiles.)

Rebecca’s personal challenge led to the creation of the on-line Fibershed Marketplace in 2011, and in 2012 the Fibershed (501c3) with the mission “… to change the way we clothe ourselves by supporting the creation of local textile cultures that enhance ecological balance, and utilize regional agriculture while strengthening local economies and communities.” In other words, by embracing the Fibershed concept, we support the idea of using locally grown and locally made textiles and encouraging the development of Fibersheds all over the world.

Education is an integral part of the Fibershed movement—educating the consumer about the environmental, economic, and social benefits of embracing the Fibershed concept. Imagine the Slow Food movement applied to textiles!

Close to Home… Does that mean down the block, across town, or within the U.S.A? Each yarn used in this show has a story. Some were grown by my own sheep, some by my neighbors, and some in other parts of Solano County. One is grown by a long-established Oregon ranch and another is grown by several ranches in the Pacific Northwest and dyed with plant dyes in Napa County. A few pieces are woven of yarn handspun and dyed by my mom many years ago. It was a challenge to stay true to the Fibershed concept when I needed commercial fabrics for pillows. (One of the many Fibershed goals is to bring mills back to our area that will commercially produce fabrics not locally produced now.) I did the best I could by using fabric and pillow forms made in the U.S.A. and some pillows use my home-grown wool for the pillow itself.

I wove or felted all the wool fabric in the show and each of the fibers have a story. Some were grown close to home and other evoke memories of home. The pieces are simple because my focus is on the fiber and the yarn. Enjoy the photos, read the stories, and think about the stories that your textiles would tell.

Three Days of Weaving Classes

Posted on September 7, 2014 by Robin

I taught a Chenille Scarf class for the Hangtown Fiber Guild in Placerville on Friday and Saturday. Eight weavers and eight very different scarves. Each is beautiful. You can’t go wrong with chenille. Most of the chenille scarves are plain weave, but Joni used clasped weft (that’s where the purple and blue meet in a diagonal line) to create interest in part of the scarf. Today I taught the second day of the new Spin to Weave class here at the farm. In the first session a few weeks ago spinners, most of whom had never woven before, had a crash course in weaving terminology and warping technique. They came today with handspun yarn and a sense of adventure. This is dyed angora warp with a gray weft. Amy used her yarn from space-dyed fiber from Fiber Confections for warp and a commercial wool weft. The idea was to choose a weft that did not detract from the warp. This one is perfect! Chris warped with a Jaggerspun Merino yarn and wove a twill with her handspun yarn.This photo doesn’t do Alison’s warp justice. The true color is purple and blue so I’ll have to get a daylight photo later. She warped 18″ wide at 15 epi in her handspun silk. We chose Jaggerspun Zephyr, a fine wool/silk blend for weft.

Weaving More Blankets

Posted on May 14, 2014 by Robin

This was the last order of blankets from BC (Before Christmas). Now there is only one more thing that I have committed to weave for someone else (that’s you, I.S.). Then I can focus on my LVIP (Looming Very Important Project)…pun there, but not intended.

This is six throws on the same warp. I don’t remember what the wool is, but there are some longwools (or maybe it’s mohair) in here as you will see in the detail. They add luster as well as weight to the blankets. They also act very differently when fulled. Some of that has to do with the extra twist in the yarn. The top two blankets in the first photo are in plain weave, but at a glance they may not look like plain weave, in which every other thread is over and under. There are diagonals in here that are not characteristic of plain weave. This is called tracking and is not uncommon when weaving plain weave with yarns that are over-twisted and woven at a relatively loose sett. Detail of a plain weave blanket. You can see that the weave structure is plain weave, but the over-twist of the threads is causing them to migrate and twist after wet finishing.More detail because with this lens I can. Do you see the “hairiness” of those fibers? That is more characteristic of a “long wool” breed. More blankets and details.

Did a box of yarn explode in here?

Posted on April 30, 2014 by Robin

You may have seen this photo on Facebook (by the way if you didn’t see it on FB you can “like” Meridian Jacobs), but you didn’t see the rest.This is a stack of 19 blankets that I just finished. There is still warp on the loom, but I needed to get these off the loom (and I needed to give my shoulder a break–now it’s the right one giving me trouble). My daughter will choose one when she is here this week and the rest will go to The Artery for sale. They are also on my website.

So here is what some of them look like: Camo anyone?

This is what the cloth beam looks like while I’m weaving. Baby blanket yarn And here is the floor behind the loom.

At the Loom

Posted on April 8, 2014 by Robin

It hasn’t been all hiking and lambing. I’ve been at the loom too. This is a king-size blanket I wove for a customer who had their llama/wool yarn spun at Yolo Wool Mill. I also wove 2 throws for this person. These are two lap blankets woven of wool from sheep at the Barinaga Ranch, a sheep dairy in Marin County.This is a close up of all four blankets on that warp. The brown weft is Jacob wool dyed with black walnut. I’m always trying to get better photos. The photo above is shot on AWB (auto white balance). The one below, shot on the cloudy setting, isn’t that much different, although on my computer the AWB photo has more of a bluish cast.

But look at the next one. The white balance was set to “shade” which is where I took the photo. What is reality? I think it’s closer to the top two. I just finished a warp for three shawls. This is CVM yarn in the warp with different locally produced weft yarns. Same shawls with white balance set to “shade”. Detail of shawl on the left.

This is on the loom now. An experiment. Hopefully all those holes will fill in when it is finished.

The pieces above will be for sale on my website and at the Fibershed Marketplace after our photoshoot that is in a few weeks.

Catching up in the Shop

Posted on February 11, 2014 by Robin

I spent the weekend demonstrating weaving at the Sacramento Weavers and Spinner Guild annual Open House. I knew that if I was going to spend two days there I needed to get something useful done. I wove two more of the scarf warps from the Box of Chenille to end the weekend with six new scarves. These are three from one warp.This is a bike that was parked outside the show. Baby blankets 849 Back at the shop I have been trying to get caught up on weaving jobs. This is part of a baby blanket warp. I cut these off before I finished all of the warp because I had someone waiting for three of them. I finally finished these cotton blankets that were on the loom a long time. Some are baby blanket size and some are larger for throws. The next project to finish is a custom king-sized blanket woven of yarn that is a blend of llama and wool. I finished getting this on the sectional beam last night and started threading it today. I hope that I can finish it by next week and move on to the throws for this customer.

Fixing a Big Mistake

Posted on February 6, 2014 by Robin

My largest loom is 60″ wide. A queen-size blanket is supposed to be about 90″ wide. When I weave a large blanket (full or queen size) I use double weave. This means that I weave two layers of cloth at the same time and they are connected on one side. When the blankets comes off the loom I open it up and it is double-width.

Sometimes things don’t go as planned. Here is an example: That is a big OOPS on the underside. (And that wasn’t the only one on this warp of two blankets. In fact some of you might notice another error that was THROUGHOUT the whole warp.) Both of these errors were fixable–it just takes time…and patience… …and a good audio book. Here is how I fixed the most obvious error (all those skipped warp threads). I knew that I could pull the warp threads out and needle weave them all the way back to the end of the warp (about 30″ I think). I found the correct path above the error and marked it with a needle. It’s not just a simple over-under. I think this pattern was under 2, over 1, under 1, over 1, under 1, over 2. I really didn’t want to have to do that pattern with a needle for all of those threads. So I tied a thin thread (brown) to the warp thread (wool yarn) that needed to be rewoven and as I pulled it out the brown thread held the place. Then I untied the brown thread from the wool yarn. Using a tapestry needle I wove the wool yarn over and under the correct yarns in the area where there was a skip. Then I tied the brown thread back to the wool yarn and pulled it all the way through to the end of the blanket….for all those threads. After fixing other errors the blankets were washed and they are finally in the mail.