Weaving in 2023 – 2

Posted on February 28, 2024 by Robin

Before the last couple of lamb posts I started to take a look back at weaving in 2023. Here is the next about weaving

Warp #1308 was baby blankets. I need to get another baby blanket warp on the loom because I’m almost out. Do you know that one of the first things I wove was a baby blanket for my son who is now 43? I have been weaving pretty much the same blankets all this time. If people still like them I guess that’s OK. I have a lot of other ideas though. Just no time.

Warp # 1311 was for samples using the yarn I got back from one of the mills. The samples are Jacob warp with Jacob and Timm Ranch weft at two different setts. The photo on the left is before washing and the right is after washing. That is where differences in take-up and draw-in really show up.

These samples were all from one warp but resleyed to weave at 15 epi, 18 epi, and 24 epi. I used these for a Yarn Lab article for the Jan/Feb 2024 Handwoven magazine.

This is one of several clasped warp scarves and shawls I wove. They will be in an upcoming issue of Handwoven.

Warp 1326 was Timm Ranch yarn and I wove two shawls, one with indigo-dyed weft, and one with 3 supplementary warps to create the design.

The next warp is Jacob wool. I really like how the two sides of this pattern are so different.

This is Warp 1328 with 14 blankets. I weave these on my 60″ wide AVL production loom.

They look a little better when finished. Some of these are on the website now (here is one). Some are Year to Remember blankets that were custom orders.

This is another clasped warp scarf using Timm Ranch wool that I dyed with homegrown indigo.

Warp 1337 on the loom. This is Timm Ranch warp and Jacob weft.

I wove enough for four pieces and made two into mobius shawls.

So many ideas and so little time. Back to the barn to feed lambs now.

Weaving in 2023 – 1

Posted on February 23, 2024 by Robin

I saw a blog post the other day in which the writer had recorded everything she wove within that year. That gave me this idea. I’m taking photos and keeping notes all the time. I may as well use them. I won’t try to fit the whole year into one post however. Maybe I’ll post weaving, then I’ll post lambs, then weaving, then lambs. How’s that?

My warps are all numbered so I can find the info in my binder. This one is 1299 from January 2023, blankets on the AVL loom. My notebook shows that I wove 11 blankets on this warp, some of which were Year to Remember blankets. These three use temperature data from 2022 so the stripes are all the same, but the colors are very different. I weave custom Year to Remember blankets and use a sparkly yarn to distinguish the special date. I think I have enough warp still on the loom for one more of these this winter, so contact me if you want to know more.

This is 1301 a scarf using all these crazy yarns. I teach a class in weaving a scarf using a mixed warp wound with a paddle, “Mix it Up”. I haven’t taught that class in awhile and I probably need to change it from a 1-day class to maybe 1-1/2 days. I don’t know if people want to pay for an extra day, but I always forget that it takes longer in a class setting than I take if I’m just warping and weaving my own scarf.

Two more mixed warps on the loom. The one on the right is a shawl, now at the Artery I think. I wove 5 or 6 of these in different colors.

In February I demonstrated weaving at the Sacramento Weavers Open House. I missed it this year because lambs were coming earlier than the previous year. I wove a chenille warp on Saturday and a wool warp on Sunday.

This is the warp after I took it off the loom.

Warp 1317 was a handspun Jacob wool scarf. Two Farm Club members spun yarn from wool that was accumulated from years of samples sent in when registering rams. Each ram application requires a few locks of wool. We have been digitizing the papers and that means those baggies of wool are discarded. I decided to do a project like this and then donate the scarf to the Jacob Sheep Breeders raffle. I wove two scarves using wool two different people had spun.

Clasped Warp is a technique that I wrote about for Little Looms a few years ago. It has been used with rigid heddle looms to design warps that change color midway through the length. I decided to do the same thing on a floor loom, adding the woven in pattern to the elements of interest. This is a shawl woven on a 4-shaft loom using handspun yarn. I will have an article coming out in the next Handwoven on this technique.

I wove fabric for 4 bags to use in an article that was published in Little Looms last year. These are hemp and woven on a rigid heddle loom. The bag uses a length of fabric that is 8″ wide and 4 yards long. Folding it strategically gives a shoulder bag with and inside and outside pocket.

This was part of that last blanket warp. It used up odds and ends of the Ashford DK yarn that I use for the Year to Remember blankets. The shape isn’t exactly right because that warp is designed to weave throws that end up about 45-50″ wide. I wove random stripes and sewed two together for a bed-sized blanket. I should have woven them longer and then they’d fit the bed correctly, but I didn’t have a plan at the time.

More to come if I’m going to finish out the year.

Stars and Stripes in Black and White AND New Jacob Yarn

Posted on November 30, 2023 by Robin

Three days in a row with a blog post! I’m on a roll.

I didn’t write about my newest yarn because I wanted to have all the details. Here it is, although not on the website yet.

I shared this photo in a previous post. I just picked up the yarn from Valley Oak Mill a week or two ago. This is the last of the 2023 Jacob fiber.

The first thing I need to do before planning a weaving project and before listing the yarn for sale is evaluate the yarn. Measuring wraps/inch (WPI) is one step.

Look at what I finally figured out–how to put photos side-by-side. It only took 20 minutes of trial and error and I don’t know if I can do it again. Now if I could just figure out how to change the size of the spaces .

The point of this is to show the wpi measurements for the same yarn before and after wetting. The yarn on the left is wound straight from the cone. The sample yarn on the right shows the WPI after the yarn has “bloomed”. I soak the skeins in water for about five minutes and then spin them out and let them dry. It is important to plan a project based on what the yarn will look like when the knitted or woven or crocheted project is wet finished. In the case of all these yarns they measured 17 WPI when wound from the cone and 12 WPI after washing. That’s a big difference.

Here is how the black yarn looks.

Here is this yarn on the loom. I sett it at 8 epi (ends per inch) based on the 12 WPI measurement. It looks very open but remember that the yarn is under tension on the loom and it has not been wet finished. It will bloom as in the photos above.

The stars appear due to alternating 6 dark threads and 6 light threads in warp and weft AND the weave structure. Without the two colors you wouldn’t see stars and without the weave structure (tie-up and treadling) you would see a plaid. There is a trick to weaving this without cutting the yarn every time you change color and keeping the selvedges neat. I put boxes at the right height at each side of the loom and rest the unused shuttle there where I can reach under the yarn when I catch the active shuttle for six picks.

This is how the scarves look off the loom, not yet wet finished. The stars are black on one side of the scarf and white on the other.

Here are the finished scarves. I have two of the stars scarves and one of the stripes. They may be sold this weekend but I can make more before Christmas. I wonder if I should try other colors. I could use the Timm Ranch naturally dyed yarn or Ashford yarn. I’d like to weave some in cotton as well. Too many ideas, too little time. If you’d like one let me know soon.

Random Farm Photos

Posted on November 25, 2023 by Robin

Once again I had several great blog ideas to share, but other things happen. So here are random photos that were going to be in some of those post.

I have friends who talk about what they see on the Next Door website (or is it an app?) and I didn’t get around to exploring that until recently. I still haven’t spent much time on it, but right after I signed up I got an email about For Sale and Free stuff. I saw these bookends ($25) and knew I needed them. The person who had them was going to be driving near my place the next day and offered to deliver. Aren’t they great?

That’s random. What else?

Butternut squash harvested from my garden. I made “pumpkin” pies from these for Thanksgiving. They turned out great! The three little ones at the top are too green but I thought I’d try them. Not ripe.

Here are the rams I’m keeping through the winter. The two on the left are this year’s lambs. The four horn ram is Typhoon and the two horn is Blizzard, both born here. The two two-horn rams on the right were born in 2021. That’s Hillside Gabby’s Barrett from Michigan on the right and Fair Adventure Horatio from Colorado on the left. I would have used another 4-horn ram for breeding but Townes died in a freak accident when he caught his horns in a fence panel. After a fertility issue last year I had the vets do some fertility testing and Silverado was found to be not fertile at the time of the test.

I have finally been spending time at the loom. These rugs are woven from corespun yarn that is spun from the coarser britch wool that I have sorted away from the rest of the fleece.

This is a close up of the corespun yarn that is the weft for those rugs. It is listed here on my website. The rugs are here and now I have two more to post.

I use a big ski shuttle to weave with this yarn. What you see on the loom in this photo is the part that will be the hem and I’m ready to weave with the corespun yarn.

Speaking of weaving, these are some of the shawls that just came off the loom. I wove some holiday colors so that they would have a place in this room at The Artery in Davis. Everyone has an opportunity to bring more work in for the month of December.

These items are in the main display area of The Artery. That colorful piece on the left is a rug I wove at the same time as I wove the corespun rugs. I have two more of these here at the shop. Most of these items are not on my website because it is risky to have them listed on-line but not know if they might have sold here at the Artery. The pieces in the middle are blankets.

I took this photo out the window when I was leaving The Artery this week. The Artery is located at the other end of this block. At the beginning of the pandemic the bars and restaurants on this part of G Street were given permission to block off the street and have outdoor seating. The street is blocked at that the other end just past our store, so there is still access to the sidewalk and a small amount of parking, but it’s not exactly inviting when you look down the street and it looks like it is a crime scene or a medical emergency. Those of us at The Artery have tried to have the street reopened but The City is not interested. They have ideas about making G Street a destination venue of some kind. Where there used to be other retail shops, now mosts of the businesses here are bars and restaurants. So the street was closed off in 2020 or early 2021, and it still looks like this.

That was random too.

When I got home I saw that Dan was using our new (last year’s purchase) manure spreader to spread the composted pile on the pasture.

It is so much faster and more effective than the old way of taking the manure out one scoop at a time and then kicking it around to try and spread it.

Last random photo. This is the Jacob yarn that I just picked up from Valley Oak Mill on Tuesday. This will deserve it’s own post soon. I am weaving scarves with it now.

Overshot Explorations and More

Posted on November 20, 2023 by Robin

I tried a new class last week. I used overshot as a way to guide weavers through exciting discoveries of sampling treadling techniques, choosing colors, and changing yarn sizes.

Two weavers came on Thursday to warp their looms. On Friday they were joined by two more weavers and they all wove overshot samplers.

This is the Sample Wall with examples of the drafts and the variables they could try.

I didn’t hang the “orange peel” sample but had it available. This is a good example of the effect of sett on the appearance of a piece. These are woven on the same warp of 5/2 cotton. The one on the right is sett at 12 epi (ends per inch) and the one on the left is sett at 15 epi. With the warp threads that much closer together the orange peel pattern is elongated and the circle becomes an oval.

The next photos are some of the weavers’ work on the looms near the beginning of class.

Two weavers chose black warp as in the samples. One weaver used white warp. Those are all cotton but the bottom one is wool because I already had that on a loom. That is white wool warp with gray tabby weft. It is so interesting to see the differences.

This was the first time for this class so I over-estimated how much warp would be woven. Two people have come back to continue work. Here is the sampler one of the students finished the next day. I will wait to see what others finished at home.

I hope to offer this class again but its not scheduled right now. Look for Overshot Explorations.

Woven Goods

Posted on December 12, 2018 by Robin

It’s the season for selling when you’re in the business of making. Now I seem to spend extra time taking photos and then trying to keep track if the items are at The Artery or here, listed on the my website or on the Fibershed Marketplace site . Ideally there were would be three batches–some at the Artery and not on the website, some here and just on my website, and some here and just on the Fibershed site. The goal would be to have everything sold by Christmas and to not double-sell anything…but those lines are crossing. I have to be vigilante. Here are a few examples of what I’ve been weaving.

Chenille scarf using clasped weft. Shawl 1065-2-1 Local yarns dyed with coreopsis and dahlia flowers. Shawl-1059-3-1 More local yarns dyed with mushroom and black walnut. Ponchos 1067 This is the stack of ponchos that I finished in early November just before the Fibershed Wool Symposium. This is how the loom looks from where I sit. The rainbow colors are a result of a prism that hangs in the window behind me. After my mom died a friend gave me the prism and said that it was to remind me of my mom. And it does, as it reminds me of the friend, Sylvia.Coreopsis dyed yarn.The computer that holds the “brains” of the loom. This loom does not weave without me doing everything (for those people who think that having a computer hooked up means I’m not really weaving). It only keeps track of the pattern that I have put in.This is what that pattern looks like. It will be completely different after fulling.A look down through the warp threads to the cloth below.OOPS! I think I have this in an earlier photo and I haven’t told the story yet of what I did about it. That will still come. Poncho 1067-1 Some of the finished ponchos.

Poncho 1067-4-3 Talk about a versatile garment. I have grown to love the poncho. It’s really just a blanket with a hole in the middle for your head. Whether you’re at the computer late at night (gee, does that ever happen?), in the car, or trying to stay warm while reading in bed it’s an easy garment to throw on. And it also makes you look young and pretty! Just look at those photos! (Disclaimer–that’s really not me.)

A Family Affair

Posted on January 10, 2016 by Robin

In the last post I showed photos of dyeing and weaving chenille scarves for a show at The Artery in Davis. This post is about that show. For this month’s show we invited our family members to join us in sharing their art work.My sons and daughter-in-law entered their photos. Sorry that my photos don’t show theirs very well. Chris took photos while on the fire line last summer. Matt and Kaleena’s photos are taken in their “backyard” of the El Dorado National Forest. I wove 7 Fire scarves and 5 Sky scarves so that I could choose the ones I wanted to display with the photos. You can’t tell from this but the Fire scarves have sparkles (and have a lot more color variation than shows up here).I also included two of my mom’s pieces. She was always proud of her teapots because she could create a dripless spout. Mom mostly made functional pieces like plates, bowls, and mugs, but also made tiles for the kitchen, a bathroom sink (the actual sink !), lanterns, birdbaths, and a sundial. This is a rare statement on society……but I’m not really sure what she meant.I took only a few more photos in the gallery because I ran out of time. Artery member Marjan made the 3-D flowers and her mom did the silk paintings.Heidi’s husband and dad collaborated with her making bowls.Sorry, but I don’t remember whose work this is but it is all felt, including the rocks.Here is a wild “Dragon Drawn in Space” above member Chris’ family’s art.My regular work moved out of the gallery and is in the front of the Artery for the next month or two.

A Family Affair will be in the gallery through February 1. I hope that those of you who are local can make it there.

Fire & Sky in Chenille

Posted on January 9, 2016 by Robin

The Artery is having a show called A Family Affair. We invited members’ family to include artwork in the January show and I invited my sons and DIL. They entered photos and I planned to weave chenille scarves to accompany the photos.

The vibrancy of the photos inspired my idea for the scarf colors. I didn’t want to just choose yarns off the shelf. For one thing I didn’t have the right colors, but the main problem was that I didn’t want stripes. I wanted to have colors that flowed in to one another over the length of the scarf. That means starting with white (usually) yarn and dyeing it.

Oops! Not enough white or off-white chenille yarn on the shelf. I had enough of that for two warps of two scarves each. That would be one warp for Chris’ fire photos and one for Matt and Kaleena’s mountain photos. I wanted more than that so that some could be “practice” warps. More about that later.

I also assumed that I had dye in the colors that I wanted because…well just because…just like I assumed that I had white chenille in the shop. I got the box out of the garage and pulled out all the containers that had yellow or orange or red (fire scarves) and blue or (mountain scarves) in their names. I was OK for Fire. I had wound the two white/off-white warps but wanted to start with something else to try out the colors.I still have some warps leftover from my Yarn from the Box project in colors that won’t sell. I used these yarns with the plan that I would eventually dye the warp. Now was the time. I started with yellow but it didn’t cover the colors very well so this warp went to oranges and reds.That was the “practice” warp. Now it was time for the “real” one and I decided to use just these colors.You can see the yarns that I used weren’t all the same because I didn’t have enough of any one shade. Here is where my photo documentary of the process has holes. This was a cold, damp day. I was bundled up in overalls and Carhart jacket and wool layers. I had footwarmers in my boots but I had to keep switching from warm gloves to rubber gloves, neither of which lent themselves to taking lots of photos. And it was getting late in the day and I was starting to lose the light. So no more photos of these warps after dyeing. I wasn’t satisfied with the dye job on the white warp so I wound another but this time used yellow yarns because I didn’t have anymore white. I dyed this in those same colors. IMG_2895_medium Dona was at the shop the day I was trying to get these warps to dry. She took this photo of them hanging near the heater. Back to the dye day. These were the blues. It was getting late so not many more photos.Here is one of the Mountain Sky warps. 948-951 chenille scarf I wove seven Fire scarves (two were finished the night before the show so aren’t photographed here) and five Mountain Sky scarves. 951-2 951-1 949-1 950-2 I will do another post of how the Artery show looks.

Leftover Yarn

Posted on January 6, 2016 by Robin

Never throw anything away. At the risk of being called a Yarn Hoarder I don’t throw any chenille away if there is at least a three yard length. Three yards (or a little less) is the length I need to make a scarf. I dumped out a couple of bags of leftover chenille and organized it by color. This made two warps.The first uses the yarns on the left side of the upper photo, going into the purple range.The color isn’t very good on this photo but this was mostly yarns from the right side. Here are the finished pieces: 946 chenille scarf I used a fine cotton weft for this scarf mainly because I couldn’t figure out which color of chenille would work across all of these stripes. By using a fine weft the color of that disappears and the eye sees just the warp color. 947 chenille scarf This scarf was different. I used a blue chenille weft. The blue dominates but pulls all the other colors together.

These scarves are for sale at the Artery now and on my website.

Back at the Loom

Posted on August 18, 2015 by Robin

It’s been awhile since I talked about weaving. There was Texas and the fair and sheep and dogs. But I have been at work in the shop. After the fair and before the shooting of the video documentary I worked for a couple of days cleaning. This was the kind of cleaning where you Throw Things Away…or at least put them in a different building (in the room of a kid who no longer lives here) with the designation to go to the upcoming Estate Sale. After all I couldn’t have a videographer in that shop where I couldn’t even get to a loom without stepping over mountains of boxes and moving piles of Stuff off the bench. Now that the space is organized I feel like my brain is a little more organized too.

One of the major accomplishments was to finish an order that has been hanging over my head for a really long time. These are one full size and three queen size blankets woven out of the customer’s wool. I am anxious to get them shipped off. (And there is still one more custom order–that person may have given up on me but I will contact her this week.) Looking ahead to Fibershed Grow Your Jeans Event in October (same weekend as Lambtown by the way), I wove 6 shawls using wool I had spun last year from the local Timm Ranch flock. One of these will be in the fashion show and all will be for sale. The colored shawls use weft yarn dyed with osage orange, black walnut, and pomegranates. This are how the shawls look just off the loom. I still need to fringe and full them. This is one of the shawls after fulling.

I am teaching a class this weekend called Color on the Loom. I haven’t taught this one before and I am still working on content. I wanted to weave another sample that also included combining weave structures. This is the kind of thing I rarely take time to do. Instead I have been working to meet deadlines. The creative part of weaving (as in everything else) takes time to think, absorb, mull over ideas. This week I took that time–I think it helped that the space was clean.

This is a warp in which stripes of wool alternates with stripes of cotton. My idea was to purposely create a seersucker like effect. The wool is stretchy and the cotton is not. In addition wool and cotton react differently to wet finishing. I wove several samples of all different combinations of weave structure (plain weave, twill, basket weave) and cotton or wool weft. These are before and after photos of just a couple of the samples:Each of these samples are woven the same (plain weave cotton stripes alternating with basket weave wool stripes and vice versa and the same in squares–to the left of the samples). I wove one sample with wool weft and one with cotton weft. This is how the wool one looks after wet finishing (five minutes in the washing machine). It definitely has a different feel but isn’t all that appealing to me. The most dramatic change and the one that I think I’d most like to repeat in a larger project is this one, the simplest. The photo above is plain weave throughout. One end is woven in wool, the other in cotton, and it’s hard to see, but in the middle wool and cotton alternate in bands–like weaving a plaid but without changing color. Take a look at this one after finishing:

This is felted (the next step past fulling). This sample had a five minute wash and then went into the dryer. I love the puckery look of where the cotton and wool alternate in the middle in both warp and weft. I think I want to weave a blanket like that. So I wove these as a color idea but love the texture most.

As an immediate follow-up to that experiment I used the same cotton yarns as in the samples and wove three scarves using the combination of plain weave and huck. I didn’t like that so much in the wool/cotton samples but I love the look in these scarves. These are also “samples” as they each use a different color weft (subtle difference) and are woven at two different setts (the number of warp threads in an inch). So I’ll use them as samples in the class and then they’ll be at the Artery for sale.

I hosted a field trip of Japanese agriculture students on Monday. They have been in this country for several months staying on different farms but have now come together for some class time at UC Davis. We spent most of the time in the barn but I also wanted to show them how I combine my weaving business with farming. I quickly put a scarf warp on this loom and wove and finished a sample to show what the scarves would look like after fulling. Isn’t that difference amazing? I have now finished the scarves. Wait until you see them!Also this week I asked my husband to help me figure out a “warping trapeze”. No I won’t be swinging from the ceiling but my yarn will. I have been wanting to do this for a long time. The idea is that you hang weights off the warp and wind it on smoothly under even tension. The tricky thing is that I need to get the warp yarns to go through a raddle to help keep them spaced properly. In most of the warping trapeze photos I see on-line the warp goes through the loom from the front. That won’t work here so I’m working on other configurations. I think this will work out OK. This warp is for more shawls using more local wool yarn (Anderson Ranch). I may use the same pattern as those scarves I just wove. Well, this post just keeps going on and on. I also uploaded this photo. Thinking of what weft I’ll use for the shawl warp in the photo above I got out the dye pot and the wolf lichen that I collected while at Lake Tahoe a couple of months ago. I kept thinking that something smelled funny but I was at the computer and forgot that I had something on the stove. Oops. Fortunately the yarn wasn’t in the pot yet.

One last thing. This magazine came a couple of weeks ago. I knew that my contest entry was in the magazine but I didn’t know that I had made the cover!

Meridian Jacobs' Blog

Life on the farm and at the loom.

Category Archives: Weaving