I just listed the Wild and Crazy Weaving class on my website. I’ve been thinking about this awhile, but finally got it done just in time to advertise it at Lambtown coming up October 4-5. I met the creator of Art Fiber Frenzy yarns a couple of years ago at Black Sheep Gathering in Oregon. It turns out that she lives in Sacramento, not far from me, and she will be at Lambtown again this year.
When you closely at this yarn you will see that the random lengths of yarn are tied together. I don’t think the intent was to use this for warp, but that is all that I see. I have figured out the method to turn this into a warp.
The first step is to wind a ball.
This is a step where you don’t want to be sloppy. It was manageable, but not as fun to work with this yarn after my ball turned into many connected balls.
It’s the step of winding warp for which I have developed the best way to deal with the yarn–not just the knots, but all the yarns of different character.
And there is the consideration of sett and weft yarn.
Purchase a skein of yarn from Art Fiber Frenzy and sign up for my class to learn how to weave with it. I have listed one class to teach about a month after Lambtown but plan to teach other sessions of this next year.
Taking a break from describing the new pasture to share weaving classes the last two weekends. Last Saturday and Sunday I held the Weave a V-Shawl class.
This class had five students. You can see why I can’t take any more than that. #1 all my looms were in use and #2 There is no more room. I didn’t take many photos but will share the few I did get.
The v-shawls are woven with two fronts as independent layers and then ]oined to create a w-shawl.
One of the finished pieces.
And another.
Rachel found a unique way to control her two shuttles…although later she learned that she could weave more quickly and efficiently with shuttles not placed in the pocket.
Rachel came back today to finish her shawl. This is a unique idea. She used the Caterpillar Cotton (which I just realized is not on my website; hopefully I can get that working tomorrow). Rachel used two colors to Create a plaid. It’s hard to see because the colors both share the white yarn.
Here is the back of the shawl.
Today’s class was all about weaving on a rigid heddle loom. Students wove short scarves while Rachel finished her shawl..
While I’m writing this it’s actually my 4th day in Kansas but I feel good that I’m not leaving all of these blog posts until I get home. It’s going to be hectic then. So here is the post for the first day when I explored the surroundings. On Thursday I taught a workshop on Clasped Warp using a rigid heddle loom. This is the description of that class on my website. I plan to change that a bit now that my article about clasped warp on a multi-shaft loom is published in Handwoven.
These are the scarves I brought with me as examples of the final project. With clasped warp the loom is direct warped with two different colors at a time. One yarn is attached to the peg and one to the loom. They join or clasp in the middle and you can create many different designs.
These are three going on the looms. I did not get photos of all. It difficult to get decent photos of this process.
Here is one more.
A view from the back of the classroom. Fortunately we had plenty of space for everyone to spread out. There were 9 people in the class (and a service dog!)
This is the first scarf off a loom. It was the only piece finished during class. There was no rush for most of the others because they were all taking their looms with them. Two people needed to finish the project that night and warp the looms for the next day’s class, but the weaving goes fairly quickly on this project.
At the end of the day. This was a great class! I hope to see future projects from all these participants.
The fashion show was Thursday evening. It was a professionally presented show and I was lucky enough to have a front row seat, thanks to friends at Lunatic Fringe Yarns!
I taught a 2-1/2 day workshop this weekend for CNCH (Conference of Northern California Handweavers). It went very well, mainly because the attendees were all very enthusiastic and patient. That is a lot of people to have in a hands-on workshop when learning a brand new idea. I came home inspired and I hope they did too.
Here is a view of the classroom after I unloaded my trailer. I brought 6 looms for people to use as well as all the gadgets that go with them and the yarn for the projects.
I brought several shawls to as examples and we figured out a way to hang them, clothesline style.
This is how the classroom looked after I had all my things arranged. This was before 7 more looms showed up and we had to find room for warping boards.
I knew that we wouldn’t be able to hang warping frames on the walls and I suggested using metal grid wall to provide “walls”. The room got more and more cluttered looking as we set up work stations around warping boards and looms. It was already cluttered looking because of the dramatic design of the carpet and the stripy walls.
This is the classroom next door. There is still a distracting rug, but overall the classroom looked much more organized with the looms all arranged in rows like a desks in a classroom. These looms were brought to the show already warped, so they didn’t need to start with warping stations like we did.
Our classroom looked a little more chaotic, but there was a lot of work going on here. In this photo some people are still warping and others are threading their looms.
At this point everyone was weaving. It is hard to tell that there were 13 weavers in this room (some just out of the photo).
It was fun to see the variety of warp designs.
This photo shows one of the shawls partially through the Weave a V part. Warp threads are cut in pairs at the back of the loom and then those warp threads become weft, creating a plaid design.
On Saturday night teachers were asked to stay in their classrooms so that other attendees could wander through and see what was going on in each class. Some of the students stayed as well and were glad to demonstrate the technique (while making progress on their projects).
This seems to be a random photo. I left the hotel early on Saturday and Sunday mornings to take a brisk walk around the golf coarse.
Sunday noon. Some of the students didn’t finish the shawls in class and will finish at home, but some did finish in time to open up the shawls and take photos. These shawls all need finishing touches–tie or twist fringe and wet finish. Then they will have an ore finished look. It is fun to see so many color ideas!
The unique design of the V-Shawl is evident when you see the backs!
Thanks to all these students for making this a great weekend!
Lambing is over as of two days ago. I will talk some more about lambs, but right now I want to share today’s class, Weave Like a Viking, taught by Farm Club member Siobhan…with a little about lambs.
Siobhan started figured out how to weave Vararfeldur, a pile weave using wool locks interspersed in plain weave or twill. Siobhan previously presented a class here in felting that results in a piece with a similar appearance at first glance, but is much different.
I tried a new class last week. I used overshot as a way to guide weavers through exciting discoveries of sampling treadling techniques, choosing colors, and changing yarn sizes.
Two weavers came on Thursday to warp their looms. On Friday they were joined by two more weavers and they all wove overshot samplers.
This is the Sample Wall with examples of the drafts and the variables they could try.
I didn’t hang the “orange peel” sample but had it available. This is a good example of the effect of sett on the appearance of a piece. These are woven on the same warp of 5/2 cotton. The one on the right is sett at 12 epi (ends per inch) and the one on the left is sett at 15 epi. With the warp threads that much closer together the orange peel pattern is elongated and the circle becomes an oval.
The next photos are some of the weavers’ work on the looms near the beginning of class.
Two weavers chose black warp as in the samples. One weaver used white warp. Those are all cotton but the bottom one is wool because I already had that on a loom. That is white wool warp with gray tabby weft. It is so interesting to see the differences.
This was the first time for this class so I over-estimated how much warp would be woven. Two people have come back to continue work. Here is the sampler one of the students finished the next day. I will wait to see what others finished at home.
I hope to offer this class again but its not scheduled right now. Look for Overshot Explorations.
I have already moved onto the next adventure, but I missed writing posts about the last few and I like my blog posts (scrapbook) to be in order. I usually use my computer but I’ll experiment with writing on my iPad. If it’s easy then maybe I can get caught up and move on to this week’s event.
Lambtown Festival in Dixon, California (and only 10 minutes from the farm) is held the first weekend of October. The main event is on the weekend but classes were held for four days. I taught Clasped Warp on the Rigid Heddle Loom on Thursday. There were 9 students so 9 different warps.
NOTE. I have a way of exporting photos and uploading them on my computer that I know what to expect of the photos. I am experimenting here with sizes. The first one is uploaded “small”, the next one is “medium” and the third will be “large”.
With clasped warp you wind one yarn from one direction and one yarn from the other and they are joined (or clasped) in the middle. Direct warping is the only way that it makes sense to do this so working on a rigid heddle loom is great.
We could fit two people at each table working on opposite sides. I like how often people’s yarn choices match their clothing.
Once the looms are warped everyone sits at their own space to weave. In the past I have taught this as a half day class. Students learned the warping technique and started weaving but most of the weaving was done at home. This class was scheduled for morning and afternoon sessions.
Only a few finished weaving their projects, but that was OK because they all owned the looms. We took a class photo with warps mostly done but not off the looms yet.
Here are two that were finished and cut off the loom.
This was a fun class. I’ll be teaching it next summer at Convergence in Kansas as well as scheduling it at my place before then.
I spent the weekend staying with a friend in the hills above Santa Barbara and drove an hour south to Camarillo on Saturday and Sunday to teach weaving classes for the Ventura County Handweavers and Spinners Guild.
After presenting a presentation (which is a blend of three that are listed here) for the monthly guild meeting I led a Clasped Warp workshop.
This was a half day workshop. The goal was to learn to wind this clasped warp, but there wouldn’t be time in class for weaving. Participants took their looms home to finish the project.
The following day I taught another class that explored using hand manipulated techniques to create design using a rigid heddle loom. These are techniques that can be used on any loom to weave designs that you can’t create any other way.
These are the samplers I brought to show the techniques and give participants an idea of how much space they could use for each structure.
Danish Medallions.
Danish Medallions using variegated yarn.
Loops, hemstitching design, Crow’s Feet, which is another version of the Danish Medallion technique.
When I got back to my friend’s house each evening I went for a walk in the hills above Santa Barbara.
This was a fun weekend spent visiting with a long time friend and meeting new weavers.
I taught a Learn to Weave class this weekend. There were three people who worked diligently all weekend and finished their samplers. I don’t make everyone use the same yarns. Willard used Jaggerspun Green Line, an organic Merino yarn.Ruth used Ashford Tekapo yarn. I didn’t get a photo of Marion’s piece until our group photo but she used Imperial Stock Ranch Erin yarn.I wish that I had a separate classroom that could remain set up for classes and Spinners Night Out but we just have to move everything aside to turn the shop into a classroom.
And this time we made room for dogs also.
This is Bear, who came for the weekend. I don’t usually invite dogs to functions here but made an exception for Bear and her owner. Bear is a Leonberger and this is what Wikipedia says in addition to describing a “generous double coat”: “When properly trained and socialized, the Leonberger is vigilant, loyal, and confident in all situations. Robust, adaptable, obedient, intelligent, playful, and kindly, the Leonberger is an appropriate family companion for modern living conditions”. Evidently that goes for weaving classes too although at times I think Bear was a bit bored with us.
“Mom, can’t we go yet?”
Can you tell from this photos how large bear is? It’s not just the camera perspective.
And then there is Rusty who gets to come in the shop when he hears gunshots and needs to feel safe.At the end of the day.
I taught a Chenille Scarf class for the Hangtown Fiber Guild in Placerville on Friday and Saturday. Eight weavers and eight very different scarves. Each is beautiful. You can’t go wrong with chenille. Most of the chenille scarves are plain weave, but Joni used clasped weft (that’s where the purple and blue meet in a diagonal line) to create interest in part of the scarf. Today I taught the second day of the new Spin to Weave class here at the farm. In the first session a few weeks ago spinners, most of whom had never woven before, had a crash course in weaving terminology and warping technique. They came today with handspun yarn and a sense of adventure. This is dyed angora warp with a gray weft. Amy used her yarn from space-dyed fiber from Fiber Confections for warp and a commercial wool weft. The idea was to choose a weft that did not detract from the warp. This one is perfect! Chris warped with a Jaggerspun Merino yarn and wove a twill with her handspun yarn.This photo doesn’t do Alison’s warp justice. The true color is purple and blue so I’ll have to get a daylight photo later. She warped 18″ wide at 15 epi in her handspun silk. We chose Jaggerspun Zephyr, a fine wool/silk blend for weft.