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About Robin

Owner of Meridian Jacobs, farm and fiber shop. I raise Jacob sheep, teach fiber arts classes, weave handwovens for sale, and manage the store.

Learning a new Rigid Heddle Technique

My friend and business mentor, Irene of Cotton Clouds asked me to weave a scarf as a sample for the Coloring Contest for Weavers that is on her website. Usually I can whip up a scarf in a few hours, but with an “irene project”, as I fondly refer to our endeavors, there is always something that slows me down. This scarf was to be on the rigid heddle loom AND using a pick-up technique. I have been planning to teach myself those techniques, but have never quite got around to it. Well, now was the time.

Irene sent me several colors of Cotton Classic and Cotton Classic Lite yarn and I started to play around with color order.  I chose a warp float pattern out of The Weaver’s Idea Book by Jane Patrick. The pattern unit is six threads so I wanted to make the color changes in 6 thread increments. I arranged the colors randomly with the exception of using the same color at each edge. Here is the sample I wove. I used the heavier Cotton Classic first (bottom of sample) in purple and navy, then the lighter Cotton Classic Lite in navy and then lavender, and then black 5/2 cotton.

This is a detail of the middle part of the sampler. Notice the huge difference there is depending on the value of the yarn you use.  These two sections are the same pattern but the lighter yarn shows the pattern as circles. The darker weft accents the warp floats.

This is the back of the sample. Warp floats on one side mean weft floats on the other.

I like both effects but decided to use the darker yarn for the final scarf. I made other changes as well. When you look at the top photo what does your eye see? I first notice the light value stripes. I decided that was too distracting.  I also decided to vary the size of the stripes.  However I didn’t have enough yarn to wind another warp. So I removed the lightest value yarns from the warp and rearranged the other yarns in the rigid heddle, adding a few more warp ends as needed. Then I wove with purple. The result is below. Unfortunately the color of the photo below shows up differently than the photos above even though these are the same yarns. (But the trials and tribulations of photographing weaving are another story.)

Another bonus of this project–I love this pick-up technique. it’s not hard at all once you get used to the pattern. I can see more of these in my future.

 

 

Fibershed project

Last year I met Rebecca Burgess when she taught a natural dye class at my place. She told me of her Fibershed project and she describes it much better than I can:

“The Fibershed Project is a challenge:  To live for one year, in clothes made from fibers that are solely sourced within a geographical region no larger than 150 miles from my front door; this includes the natural dye colors as well!

Why? The textile industry is the number one polluter of fresh water resources on the planet, as well as having an immense carbon footprint. The average CO2 emitted for the production of one T-shirt is up to 40 times the weight of that shirt. The goal of this project is to both show and model that beauty and fashion can function hand-in-hand with sustainability, local economies, and regional agriculture.”

Rebecca visited today along with designer, Kacy, and photographer, Paige. I donated some yarn to the project last year and Kacy designed a sweater as part of the wardrobe.

This is Rebecca wearing her Jacob sweater and showing off her new book (with photos by Paige) which will be out in April. I will have some here.


The three creative women who were here this morning.  You’ll be hearing much more from these three.

In the meantime while we were busy Dora lambed with twins:

Lambs….again.

Are you tired of new lambs photos?

This is the wet butterfly look. The ears remind me of recently-emerged butterfly wings.

This is the “Jacobs come in all colors” look.

Weigh-in of new lambs. I don’t usually weigh lambs, but to be able to answer the question, “How much do they weigh?”, I’m weighing them all this year.  My guess is an average of 7.5-8 pounds but I’ll report back when it’s all over.

 

Green scarves from blue and red jeans

I get tired of over-worked words to describe concepts which aren’t all that new. Maybe it’s good when more people start to understand the principles being described. Green is one of those words…and concepts. But I couldn’t pass up using it in the title of this post. I honestly don’t know how this yarn is processed but it is 100% recycled jeans and I wove the scarves with no energy except my own.

The yarn is called Riveting and is sold by Cotton Clouds . The scarves are woven on a Huck Lace threading.

Knitting better

Today Meridian Jacobs hosted a knitting class taught by superb knitter, Nancy Jane Campbell. The purpose of this class was to evaluate our current knitting habits and work to “Knit Better’. There was pre-class homework.

These are two garter stitch swatches. The difference is that one is the result of knitting every row and the other is knit by purling every row. There is a difference. Nancy pointed out that my purl sample is much more even than the knit sample. The stockinette sample (no photo) also showed that I knit and purl with different tensions, resulting in subtle ridges and uneven stitches.

Lunchtime. We went to the barn so I could feed Nellie. Yes, I named the bottle baby.

We found more lambs.

Soliloquy had twins–smallest lambs so far this year at 5-6 pounds and Victoria had triplets.  I dealt with all of them and went back to the shop for the afternoon session of the class.

Before lunch we had measured and evaluated our samples. After lunch we started working on changing our habits and learning new techniques. The sample above may not be too impressive, but notice the very cool knitted cable cast-on edge.  It looks much neater than my long-tail cast-on. And notice the inch or so closest to the needles. There is a a big difference in the knitting for that inch than the couple of inches below. At the risk of knitting too tightly I have been knitting way too loose. It’s a lot easier to be consistent when there is a little more tension on the yarn and the added benefit is that the stitches aren’t always falling off the needle. This was a great class and Nancy is going to come back and teach a color knitting class later in the year.

 

Today’s lambing adventure

I really didn’t plan on a bottle baby, but I may have one. Here she is meeting the family.

When I went out this morning Paula had one live lamb and one dead one. As I was doing chores I noticed her pushing some more. I checked and there was a third lamb with the legs and head pointed down inside instead of out. I fished around inside and got everything straightened out and delivered the lamb. It was just about dead when I got it out–completely limp and not taking a breath. I got the lamb breathing but it remained completely flaccid and was losing body temperature quickly. Paula was still licking it so I left it with her covered in a towel while I warmed towels in the dryer. I wrapped up the lamb in the warm towels, tube fed it about an ounce of colostrum, and then brought it to the house and woke up my son so that the lamb could stay snuggled in bed with him while I finished chores. The lamb was still shivering and not trying to get up so I finally brought a crate and a heat lamp in the house.

All that was this morning. The lamb showed enough spunk to try and nurse earlier in the day and I took it back to the barn, but due to the the combination of inexperience on the lamb’s part and Paula’s increasing skepticism that she really had 2 lambs I finally gave up. The lamb is in the house tonight and I’m feeding it.  So far it’s not doing real well with the bottle and I’ve tube fed it a couple of times. I hope that at  the next feeding it will have figured it out.

 

Lambing-Day 4

Zelda lambed last night with twins sired by Savor.

Look at the horns on this ram lamb!

Moon had twin ewe lambs this afternoon. This lamb was very striking after she was clean and dry–sparkling white and none of the coarser  birth coat that Jacob lambs are often born with.

While waiting for Moon to deliver, Jackie and I first castrated the two lambs that were born in January and then we dealt with one of last night’s twins that died. (If you don’t want to read the details then skip to the pretty yellow flower photo below.) When the lamb was born last night I thought that the umbilical cord was unusually large in diameter. My iodine dip didn’t dry this cord up like it did the other lamb’s.  This morning the lamb looked cold, but finally nursed and seemed to warm up. It was in the afternoon that I saw that she was very sick (near death). She was bloated and there was smelly brown fluid draining from the over-sized umbilical cord. I necropsied her and found what I suspected–her intestine had a dead-end. There was no connection between the colon and the rectum so there was no where for digested food to go. I’m not sure what was leaking out the umbilical cord, but I wonder if it was putrid  intestinal contents that filled the abdominal cavity.  Hopefully this is the only birth defect this lambing season.

It’s a month before spring officially starts so it must be time for my annual blooming acacia photo. How can I resist that intense color?

Lambs!

Here are the first lambs (except for the unexpected twins last month from a ewe that was bred when I got her).

Posting these photos makes me think of the contrast in my lambing set-up and that of other sheep farmers. My ewes have it pretty easy. When the weather is wet and cold and windy they are able to be in the barn.  My heart goes out to those farmers and their flocks who have to battle the elements. Yesterday I spent time in the driving rain cleaning out the ditches and diverting water away from the barn, but nothing was really that serious. When we had a dairy I always hated winter weather because it was just not possible to get all of the cows out of the mud and rain.  I’m hoping for  milder spring weather soon!