I taught a 2-1/2 day workshop this weekend for CNCH (Conference of Northern California Handweavers). It went very well, mainly because the attendees were all very enthusiastic and patient. That is a lot of people to have in a hands-on workshop when learning a brand new idea. I came home inspired and I hope they did too.
Here is a view of the classroom after I unloaded my trailer. I brought 6 looms for people to use as well as all the gadgets that go with them and the yarn for the projects.
I brought several shawls to as examples and we figured out a way to hang them, clothesline style.
This is how the classroom looked after I had all my things arranged. This was before 7 more looms showed up and we had to find room for warping boards.
I knew that we wouldn’t be able to hang warping frames on the walls and I suggested using metal grid wall to provide “walls”. The room got more and more cluttered looking as we set up work stations around warping boards and looms. It was already cluttered looking because of the dramatic design of the carpet and the stripy walls.
This is the classroom next door. There is still a distracting rug, but overall the classroom looked much more organized with the looms all arranged in rows like a desks in a classroom. These looms were brought to the show already warped, so they didn’t need to start with warping stations like we did.
Our classroom looked a little more chaotic, but there was a lot of work going on here. In this photo some people are still warping and others are threading their looms.
At this point everyone was weaving. It is hard to tell that there were 13 weavers in this room (some just out of the photo).
It was fun to see the variety of warp designs.
This photo shows one of the shawls partially through the Weave a V part. Warp threads are cut in pairs at the back of the loom and then those warp threads become weft, creating a plaid design.
On Saturday night teachers were asked to stay in their classrooms so that other attendees could wander through and see what was going on in each class. Some of the students stayed as well and were glad to demonstrate the technique (while making progress on their projects).
This seems to be a random photo. I left the hotel early on Saturday and Sunday mornings to take a brisk walk around the golf coarse.
Sunday noon. Some of the students didn’t finish the shawls in class and will finish at home, but some did finish in time to open up the shawls and take photos. These shawls all need finishing touches–tie or twist fringe and wet finish. Then they will have an ore finished look. It is fun to see so many color ideas!
The unique design of the V-Shawl is evident when you see the backs!
Thanks to all these students for making this a great weekend!
This is the beautiful Horton Grand Hotel…
…and this is Sunshine, a paper-mache horse who stands in the lobby. He came from the saddle shop that was on the ground floor of the neighboring less formal hotel. The hotels were built in the mid 1800’s but the saddle shop originated in 1912. Wickipedia says: “Both hotels were scheduled for demolition in the 1970s when the City of San Diego purchased them to build the Horton Plaza shopping center on the site. The hotels were dismantled brick by brick, with each brick numbered, catalogued, and stored. In 1986 the hotels were rebuilt into an entirely new hotel at the present location at Fourth Street and Island Avenue.”
Our room was lovely.
What fun to decorate a hotel like this. The furniture was all old so I assume it was found at estate sales and flea markets. We even had a fireplace (gas so no wool hauling).
We spent a lot of our time at the San Diego Convention Center.
Here is a message to be read on the way there. This quote in context of time and author if quite serious. In my world the last sentence has particular meaning and is serious enough in my life, if not with as profound a meaning. 
Fun view while going up the escalator in the Convention Center.
Leaving the hotel at night. This is the Gas Lamp District, kind of like Old Sac is for Sacramento.
We ate one night at The Field, an Irish pub, while listening to Irish music and dancers. This sign caught my notice.
But first I found some new equipment. These are prototypes of cool little sample looms designed by author and teacher, Liz Gipson. The unique thing about these looms is that they will be produced in 8, 10, and 12 epi versions, enabling quick sampling of yarns at those setts (and at 4, 5, and 6 epi). There are a few other gadgets I am purchasing here as well. 
This is the Meow and Woof collection from Ancient Arts Yarns. Each yarn has a photo of the cat or dog that inspired the color. I strayed from my “buy American” plan because I was so enamored with these. They were spun in Italy and are sold by a Canadian company and a percentage of sales goes to dog and cat rescue groups. I have wove a scarf out of the calico cat yarn–that is another post.
I already 
The Fiber Seed will be a new yarn for me. They have some wonderful gradient yarns put together in kits. I’ll get those as well as some of the solids and variegated yarns.
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