I shared a lot of photos in one of the latest blog posts of my trial and error to get good product photos with consistent backgrounds. I got some suggestions from a few of you and I welcome comments again. I worked on this again today.
I bought a roll of sturdy Manila paper. Do you know why it’s called Manila? I looked it up. Merriam-Webster: “a strong and durable paper of a brownish or buff color and smooth finish made originally from Manila hemp”. Wikipedia: “Manila paper was originally made out of old Manila hemp ropes which were extensively used on ships, having replaced true hemp. The ropes were made from abaca or Musa textilis, which is grown in the Phillipines; hence the association with Manila, its capital city. Abacá is an exceptionally strong fibre, nowadays used for special papers like tea bag tissue. It is also very expensive, being several times more expensive than woodpulp, hence the change to that fiber for what is still called Manilla—usually with two L’s. More recently new woodpulp has often been replaced with a high proportion of recycled fibers. True Manila hemp folders would have been much tougher and longer lasting than modern folders.” See what you learn by reading this blog?
I also have a piece of linen that is a nice color with an interesting texture. I thought I’d try both of those as background. The linen fabric is too small, but I can get more if it works. I just made a curtain for my office and that’s why I still have a piece here.
So I experimented with my phone and my camera with these different backgrounds. My goal is to take photos that don’t need much editing to make the products look like they do in real life.
This is the linen on top of the manila taken with my camera. I am not sure if the yellow/rose cast of the manila comes through the linen. Also, light is so important. I took all photos in the shade, but not all shade is the same. The place where I’m hanging the roll of paper is a different shade than if I drag the table over to the middle of the deck area and the roll of manila may affect the outcome as well.
This is that manila paper taken with my phone.
Linen on top of manila taken with phone.
The photos I used here have been minimally edited–mostly to crop to square. This time I shot the photos with my camera on manual and adjusted shutter speed one or two stops. Most of the time the slower shutter speed (more light) gave a better exposure. I don’t think I’m having such an issue with white balance as in the last batch of photos.
Linen on top of manila, taken with Nikon.
The same as above but taken with the phone. Colors are close but not the same.
I moved the table away from the wall so the linen is resting on the table. There will be no influence from the mainla paper underneath or on the wall. This photo is taken with the Nikon.
Same thing, but taken with the phone. I see a blue cast to the background linen.
These photos are also taken on the table, on the linen cloth alone. This one is with the Nikon.
Same thing but with the phone. There is that blue cast again. I could probably adjust that in the phone, but I haven’t done any adjustments on these photos other than exposure on some of the Nikon ones.
Same place, table with linen cloth, taken with Nikon.
Same photo taken with phone.
I moved the table back to the position with the manila paper. So this is linen cloth on the paper, taken with the Nikon.
Same thing but taken with phone.
This is the scarf on manila paper alone using the Nikon.
Cat basket on manila paper. Photo taken with Nikon.
Same thing but no cat.
Same thing taken with the phone.
Here is a blanket on manila paper taken with the Nikon. I think this one could benefit from exposure adjustment.
Same photo taken with the camera. Color of the blanket is more natural.
This is in the same place with the linen over the manila. Nikon photo.
Same photo taken with the phone. There is definitely a difference in the color in these photos.
I liked the photos in the last post that were taken with a wood background but I don’t like the spacing between the planks that creates a dark line. We have some leftover flooring that in the house I think of as gray, but I guess they have a brown cast. These planks were left over after we finished the floors and the “groove” edges of “tongue and groove” have been trimmed off. If I want to use these I will trim that edge so there are no big yellow gaps.
I think the colors of the yarn and products are true, but is the background distracting even if the gaps are gone?
UhOh. Why does the white fringe on the blanket look green? Compare it to the scarf at the bottom. In this last series of photos I didn’t compare Nikon to phone photos, and they are all phone photos. I just added the Nikon photo of the blanket below.
Scarf using phone.
There is a lot to figure out. Tomorrow.
This photo doesn’t do justice to the pile of stuff. Most of them are still out in the aisle. A couple of people stopped by and were amazed that I actually fit it all in. What you don’t notice in the photo because of the black drapes are the 16 gridwall panels that create the booth. Those get heavier every year.
I got to Modesto about 4:30 p.m., worked until 8:40 on Thursday and then from about 9:30 to 1:30 today. The show opened at 2. Here is a tour of my booth:
Rusty’s Yarn faces the aisle.
On the 3-grid tower in the middle I have the Meow and Woof yarns…
…Sprout yarns…
…and Mountain Meadows, all fingering weight yarns with sample scarves.
Around the inside of the booth is the Timm Ranch yarn with blankets I wove and Mary’s beautiful shawl. There are Jacob sheepskins too–only a few left.
Moving to the left there is the Jacob yarn and Imperial Yarn Company’s “Anna”, a wool/cotton yarn that weaves up quickly (at 5 epi).
Going around the back wall I have rigid heddle looms from Ashford and Schacht and the Ashford “Katie”, which is a wonderful very portable 8-shaft table loom.
Purl & Loop Stash Blaster looms and Swatch Maker looms are brand new. Next to them are the Zoom looms with the critter kits that use squares made on the them.
Coming around the corner I have photo notecards, buttons, and Meridian Jacobs bags and aprons.
I have added to the horn buttons. My son helped finish off another batch.
Last there is Cormo Sport yarn dyed by Sincere Sheep. You can see one of the samples that I wove. It is incredibly soft and spongy (not a good wool term, but is it better than squishy? I probably need a different adjective, but it’s late.) I brought Power Scour, etc with me but barely found room for a few bottles.
When I asked how many alpacas there are, Mary said between 150 and 200. They roam the hills on the ranch, accompanied by guardian dogs.
This is one of the many ranch dogs that include guardian and herding dogs. We were told that this one is only 8 months old.
Our meeting was in the greenhouse located near the field where the bucks live.
This guy seemed pretty friendly.
Before we started the meeting we admired each others fiber products. This is one of the Twirl yarns produced by Mary.
This is what I brought to share–sheepskins, buttons, yarn, and shawls from my Jacob sheep. The new 
This is a felted hat made by 
Here is 
…and this is a piece she felted from the wool of Vicki, one of my Jacob sheep.
We were able to see the recently produced Wool and Fine Fiber Book. Each producer has a spread in which samples of their fiber is attached. These books will be circulated to designers and manufacturers who want to find out what kinds of fiber are available locally, how to contact the producers, and to learn how these fibers might be used in end products. This was an amazing undertaking by Fibershed.
While hearing about all this we were also doing what Fibershed producers do best, eating and baby animal snuggling. This is a two-day old kid who needs some TLC.
One of the dogs was feeling left out.
Even Rebecca found some goat snuggling time.
I hadn’t had a chance to do anything with it until recently. The first step was to gather some information.
The McMorran yarn balance is one tool to do that. You trim the ends off a strand of yarn until the arm balances.
Then you measure that length of yarn and multiply by 100 to get ypp (yards/pound). I repeated that a few times to get an average–1500 ypp.
Another measurement is wpi (wraps/inch). This yarn measure 15 wpi. However, from past experience I know that this isn’t quite accurate. Most yarn is scoured (washed) and skeined before it is sold in yarn stores. That can have a dramatic effect on the yarn. The yarn that I got from the mill on cones has not been scoured yet, so it is not really “finished”.
Look at the difference a soak in warm water makes. Now this yarn measure 1200 ypp (which is what the specs from the mill were)…
and it is 10 wpi. Based on those measurements I wove some samples.
These samples look pretty open on the loom…
…and I had to be careful to not beat the weft yarn down too much.
This is how the samples look off the loom. The 8 epi samples are in the top row.
And here is how they look after a quick wash. Dramatic difference from the loom to the finished fabric.
Here is how I had them displayed in the shop at the recent Shearing Day. The skein on the left has been washed. But these yarns aren’t just for weaving. My friend, Mary, bought some, washed it, and then used it for a Mystery Knit Along. Here is the shawl she knit.
This was knit over a few weeks with a new direction given out each week.
It is gorgeous in person and has a wonderful hand. I can’t wait to get some of this yarn on the loom and get to work with it.
This is the beautiful Horton Grand Hotel…
…and this is Sunshine, a paper-mache horse who stands in the lobby. He came from the saddle shop that was on the ground floor of the neighboring less formal hotel. The hotels were built in the mid 1800’s but the saddle shop originated in 1912. Wickipedia says: “Both hotels were scheduled for demolition in the 1970s when the City of San Diego purchased them to build the Horton Plaza shopping center on the site. The hotels were dismantled brick by brick, with each brick numbered, catalogued, and stored. In 1986 the hotels were rebuilt into an entirely new hotel at the present location at Fourth Street and Island Avenue.”
Our room was lovely.
What fun to decorate a hotel like this. The furniture was all old so I assume it was found at estate sales and flea markets. We even had a fireplace (gas so no wool hauling).
We spent a lot of our time at the San Diego Convention Center.
Here is a message to be read on the way there. This quote in context of time and author if quite serious. In my world the last sentence has particular meaning and is serious enough in my life, if not with as profound a meaning. 
Fun view while going up the escalator in the Convention Center.
Leaving the hotel at night. This is the Gas Lamp District, kind of like Old Sac is for Sacramento.
We ate one night at The Field, an Irish pub, while listening to Irish music and dancers. This sign caught my notice.
But first I found some new equipment. These are prototypes of cool little sample looms designed by author and teacher, Liz Gipson. The unique thing about these looms is that they will be produced in 8, 10, and 12 epi versions, enabling quick sampling of yarns at those setts (and at 4, 5, and 6 epi). There are a few other gadgets I am purchasing here as well. 
This is the Meow and Woof collection from Ancient Arts Yarns. Each yarn has a photo of the cat or dog that inspired the color. I strayed from my “buy American” plan because I was so enamored with these. They were spun in Italy and are sold by a Canadian company and a percentage of sales goes to dog and cat rescue groups. I have wove a scarf out of the calico cat yarn–that is another post.
I already 
The Fiber Seed will be a new yarn for me. They have some wonderful gradient yarns put together in kits. I’ll get those as well as some of the solids and variegated yarns.
This is 5 batches of yarn out of the same dye pot. The first four skeins on the top are from the first batch. The next four are from the second and I crammed the tablecloth in that pot too. The rest of that row is from the third batch using the same dye. It looked like there was still plenty of dye in the pot so I did two more batches that are on the bottom row. They are lighter but still colored. 
Here is another view. It is interesting (at least to me) that the fifth batch appears to have slightly more color than the fourth. It is a different yarn. The first four batches included 
I was photographing the skeins outside and out of the corner of my eye I kept seeing this other brilliant color.
Another great way to waste time when using technology! But it’s better for you than drugs. The iPad app is called Kaleio and the iPhone one is Teleidoscope.
In September I got the yarn back from the mill and used it for pieces in my show at 
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